Trinnidad Rock 32 x 30 Acrylic $3,600

Near Sunrise 25 x 33 Acrylic $3,200
Rialto Beach II 12 x 12 Oil $850
Tongue Point Stream 11 x 13 Oil $850
Fauntleroy Ferry 12 x 12 Oil $850

Eagle Cap 45 x 53 Acrylic $6,500

North Coast 25 x 33 Acrylic $3,200
Owen Beach 25" x 33" Acrylic $ 3,100
Three Queens 42" x 60 " Acrylic $6,300
5 O'Clock Moon 45" x 65" Acrylic $ 7,000
Rainier Sunset 30" x 32" Acrylic $ 3,600
October On The Icicle 30" x 32 " Acrylic $3,600
Evening Coast 25" x 33 " Acrylic $3,100
Mark's Lake by Michael Ferguson 32 x 30 Acryllic $3,600 (SOLD)
Wave Log 13" x 11 " Acrylic $850
The Strait 25" x 33 " Acrylic $3,100
Glacier Peak by Michael Ferguson 32 x 30 Acryllic $3,600
Rainier From Sourdough Ridge 42 x 45 Acrylic $5,200
New Icicle Boulders 31 x 43 Acrylic $3,800
Big Trees 52 1/2" x 45" Acrylic $ 6,000
Big Lila Lake 45" x 55" Acrylic $ 6,300
West Coast 42" x 70 " Acrylic $7,300

From Goat Mountain 31 x 43 Acrylic $3,800

Commonwealth Creek 32 x 30 Acrylic $3,600

Rachel Lake Trees 33 x 25 Acrylic $3,200
More Michael Ferguson - Figurative Paintings
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Michael Ferguson was born in Seattle, Washington in 1958. In 1979 he graduated from the Burnley School of Professional Art in Seattle and went directly to work for Battell Labs in Richland, Washington. At Battell and later at the Boeing company in Renton, Washington Michael’s creative skills were used in a variety of ways. In 1988 a desire for full-time painting prevailed.

Galleries as far as Naples, Florida have represented his work and collectors are scattered world wide. Michael’s paintings and linocuts are represented by galleries in Washington and Oregon, as well as various national juried shows.

Artist’s Statement:
Mountains, ocean and desert abound. As a Northwest native, it’s not surprising that I gain so much inspiration for my landscape work from this rich perspective.
For centuries artists have painted the world around them. I’m compelled to follow this tradition as well. Using various mediums both in the home studio and in the field, I bring to life thoughtful and vibrant interpretations of the landscapes.
My painting approach is fundamentally representational. The reality of the scene is readily apparent, followed by a fracturing of shape and color upon closer inspection. I enjoy using the oil medium for field painting during assorted road trips and hikes. Outdoor painting encourages a more impressionistic and suggestive quality due to the ever-changing conditions. This is the direct link to the landscape so I often use these oil paintings and my observations for later studio work. The more controlled home studio environment allows me to create a richer and more personal view, typically on board or canvas and on a larger scale.